Evaluation of the hypothesis of the Monster of Troy vase as the earliest artistic record of a vertebrate fossil

Authors

DOI:

https://doi.org/10.15359/ru.34-1.9

Keywords:

Samotherium, Oxydactylus, Greek art, zoological representations, ancient fauna

Abstract

The Monster of Troy, depicted in a 6th Century BC Corinthian vase, has been proposed to be the earliest artistic record of a vertebrate fossil, possibly a Miocene giraffe (Samotherium sp.). The purpose of the paper was to analyze the giraffe hypothesis using four approaches: a double-blind random design in which 78 biologists compared the vase skull with Samotherium and several reptiles; an informed survey of 30 art and science students who critically assessed the hypothesis based on images of candidate species; an objective computerized mathematical comparison of the images; and a detailed morphological comparison of the skulls. All of the participants rejected the giraffe hypothesis. The types of eyes and teeth unambiguously discard a mammal, whether fossil or living, as the model.  The model was most likely an extant carnivorous reptile of the Varanidae family.

References

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Published

2020-01-31

How to Cite

Evaluation of the hypothesis of the Monster of Troy vase as the earliest artistic record of a vertebrate fossil. (2020). Uniciencia, 34(1), 147-151. https://doi.org/10.15359/ru.34-1.9

Issue

Section

Original scientific papers (evaluated by academic peers)

How to Cite

Evaluation of the hypothesis of the Monster of Troy vase as the earliest artistic record of a vertebrate fossil. (2020). Uniciencia, 34(1), 147-151. https://doi.org/10.15359/ru.34-1.9

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